Subotnik Speaks at Savannah Law School’s Colloquium on “The Walking Dead”

Later this week, Professor Eva Subotnik will be presenting her work-in-progress, Artistic Control

Eva Subotnik

Eva Subotnik

After Death, at a colloquium entitled “The Walking Dead.”  The two-day program, hosted by Savannah Law School in Savannah, GA, will bring together legal scholars to discuss an array of topics relating to how death, and the fear of death, affect the law of the living.  Professor Subotnik will be speaking on the “Rights of the Dead” Panel, in which she will discuss the extent to which authors and artists should be able to execute enforceable instructions about the uses of their works following their deaths.  Information about the program is available here. The abstract follows:

To what extent should authors be able to control what happens to their literary, artistic, and musical creations after they die?  Looked at through the lens of general succession law trends, there is some evidence to suggest that strong control is warranted.  The weakening of the Rule Against Perpetuities, the rise of the honorary trust, and the availability of conditional bequests all portray a tightening grip of the dead hand.  And yet, an unconstrained ability of the dead to determine future uses of works of art,music, and literature seems fundamentally troubling.  This article situates the instructions given by authors with respect to literary and artistic works within the types of instructions given by decedents with respect to other bequests.  In particular, it considers whether the use of a fiduciary duty to ensure artistic control is an appropriate and enforceable maneuver.  Weighing in favor ofsuch enforcement, arguably, are the natural and personhood rights of author-testators as well as the possible up-front incentive effects on them.  Weighing against, arguably, are the natural and personhood rights of others as well as the possible long-term effects on cultural development.  In balancing these competing interests, this article considers, among other things, the demands of both federal copyright policy and state trust and right of publicity laws.  In the end, it argues that authorial instructions must yield to the needs of the development of culture.  Such a view requires that some living person(s) be in a position to make decisions about the uses of literary and artistic works.

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